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Palestinians failing in telling their story
Where is the Palestinian “Exodus”? Palestinians have failed to tell their story to counter the lies propagated by lies spread by Israel. The Israelis have built up myths catered to appeal Audiences in America, where the power rests to determine who will dominate the Middle East. Arabs have underestimated the influence of the population in the United States, a major error that has cost them a nation. Sadly, most Palestinians don’t even recognize their failure and instead focus on emotion and that hate it creates
Published in the Arab News Newspaper June 15, 2017
By Ray Hanania
The 50th anniversary of Israel’s military invasion of Arab East Jerusalem, the Gaza Strip, and the West Bank pretty has pretty much passed the way of the anniversaries have passed in America and the Arab World.
Palestinian activists, Arab and Muslim organizations in America issued passioned, well-meaning statements denouncing Israel and urging people not to forget.
In the Arab and Muslim World, it passed with barely a rumble.
The people and the leadership in the Arab community have changed. What’s not changed is how we tell our story. We’re basically doing the same things today that we did in 1948 and in 1967, with less physical resistance and less violence, of course.
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But we don’t really need violence. What we need is to do a better job of telling our story.
Palestinians continue to protest and organize and hold conferences where the speak to the “choir.” Sometimes, the activism is effective, such as with the BDS movement. BDS (Boycott, Divest, Sanction) has made gains, but it’s still not enough to bring about real change.
It hasn’t brought about substantive change. Israel continues to expand slowly and steadily erasing the Palestinian identity.
What we should be doing is what Israel began doing since 1948. Israel knows how to tell its story to mass audiences, effectively and in a compelling narrative. The story Israel tells is not accurate, of course. It is built on lies, exaggerations and the demonization of Palestinians and anyone who criticizes them.
We need to do a better job of telling our story.
I was in a major Chicago library the other day in the Middle East section where I found dozens of books by Israelis and Jews who shared their experiences in “building” a state in the shadow of the Holocaust in a compelling writing style.
The two sides were together, but the literature of the two sides is vastly different, not just in the facts that each tell but in the style in which they tell it. The Israeli story wasn’t weighed down with footnotes or even facts. They were not written the way most Arabs books are written, as factual but boring academic dissertations.
Yes, sadly, the truth can be boring and “boring” is not read.
The pro-Israel books offered compelling stories of what it is like to be them. They neutralize the Palestinian narrative. The Israelis succeed in “connecting” with their audiences, in this case American readers, far better than the Palestinians and Arabs have been able to do.
Only a very few Palestinian and Arab writers have told their stories in a personal way that might connect with American readers.
It isn’t just the print industry that is the problem. It’s everywhere. The gap between how Israelis present their story and how Palestinians and Arabs present their story is immense. It exists in the movies, the theater and on television not just in the popular TV sitcoms but also in the fundamental “brain” shows like those on the History Channel.
The truth is that after 70 years the real story of Palestine has not been told in a powerful, compelling or effective way for audiences to embrace. Yet the Palestinian story is very powerful, the kind that makes for great books and great movies.
I’ve written about the power of the fictional story Leon Uris wrote about the birth of Israel, called “Exodus.” Uris was commissioned by Israel to create a compelling narrative, a myth that was both believable and that would bring American audiences to the edge of tears and compassion.
Yet, where is the Palestinian “Exodus?”
Is it because we don’t have the money? We have the stories. The nightmare in Gaza alone could tug at the heartstrings of Americans, yet it doesn’t because it hasn’t been produced.
The difference in the effectiveness of the Israeli narrative and the Palestinian narrative is not a gap based on substance or facts. It is a gap based on “delivery.” And by delivery I mean the manner in which a story is told.
The Palestinian and Arab narrative is handicapped by ineffective communications that lack some fundamental basics when speaking to Western audiences, especially Americans. What are those fundamental basics?
• It’s not what you say, but how you say it.
• You don’t win the debate by winning the argument. You win the debate by winning the audience.
• The more you look, act, dress and sound like the audience you are addressing, the more the audience will embrace your narrative. It is a fact of human nature.
• Most importantly, don’t stand in the way of your own story. Let the story tell itself. Your anger, your emotion and even your passion can be a roadblock for audiences not an asset. Put your passion into crafting the story, not in telling the story.
Compelling narrative comes from the delivery of the story, not from the narrative itself. What I mean by “delivery” is not how you hand it to someone, but the substance of what you are saying. You have to tell the story in a way that your audience wants to hear it, not in the way you want to tell it.
Don’t talk to yourself.
If the audience is not “listening” or is not receptive to your story, then it won’t be heard.
Is there not someone out there who knows how to tell the Palestinian story the way the audience needs to hear it?
Nearly 70 years since the Nakba and 50 years since the 1967 Arab-Israeli war shame, I am still wondering.
(Ray Hanania is an award winning Palestinian American columnist and author. Email him at email@example.com.)
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"I write about three topics, the Middle East, politics and life in general. I often take my life experiences and offer them in an entertaining way to readers, and I take on the toughest topics like the Israel-Palestine conflict and don't pull any punches about what I feel is fair. But, my priority is always about writing the good story."
Hanania covered Chicago Politics and Chicago City Hall from 1976 through 1992. Hanania began writing in 1975 when he published The Middle Eastern Voice newspaper in Chicago (1975-1977). He later published “The National Arab American Times” newspaper which was distributed through 12,500 Middle East food stores in 48 American States (2004-2007).
Hanania writes weekly columns on Middle East and American Arab issues for the Arab News in Saudi Arabia at www.ArabNews.com, and at www.TheArabDailyNews.com, www.TheDailyHookah.com and at SuburbanChicagoland.com. He has also published weekly columns in the Jerusalem Post newspaper, YNetNews.com, Newsday Newspaper in New York, the Orlando Sentinel Newspapers, and the Arlington Heights Daily Herald.
Palestinian, American Arab and Christian, Hanania’s parents originate from Jerusalem and Bethlehem.
Hanania is the recipient of four (4) Chicago Headline Club “Peter Lisagor Awards” for Column writing. In November 2006, he was named “Best Ethnic American Columnist” by the New American Media. In 2009, Hanania received the prestigious Sigma Delta Chi Award for Writing from the Society of Professional Journalists. He is the recipient of the MT Mehdi Courage in Journalism Award. He was honored for his writing skills with two (2) Chicago Stick-o-Type awards from the Chicago Newspaper Guild. In 1990, Hanania was nominated by the Chicago Sun-Times editors for a Pulitzer Prize for his four-part series on the Palestinian Intifada.
His writings have also been honored by two national Awards from ADC for his writing, and from the National Arab American Journalists Association.
The managing editor of Suburban Chicagoland Online News website www.SuburbanChicagoland.com, Hanania's columns also appear in the Southwest News Newspaper Group of 8 newspapers.
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